I don't work on manuscripts with AI-generated text, as the plagiarism risk is too high for my comfort. I believe AI use should be disclosed, consensual, and should not replace human creativity. If you've used AI in any part of your process, please be upfront about it. On my end, my edits are always 100% human.

Rates vary depending on the project—genre, category, word count, and what the manuscript needs. For a sense of industry standards, check out the Editorial Freelancers Association rate guide. For a personalized quote, get in touch.

I'm often booked 3+ months in advance. If you're interested in working together, reach out early—even if your timeline isn't set. I charge a nonrefundable deposit to hold your spot. Occasionally a project shifts and earlier availability opens up, so it never hurts to ask.

No. Working with me doesn't guarantee representation or a book deal, and I won't put you in touch with agents or publishers. My services are offered on a freelance basis only—I'm here to help you do your best work, but the submission journey is yours.

No. In fact, most authors who query agents do not hire a professional editor first, and it's absolutely not a requirement. That said, working with an editor can help you strengthen your craft, improve your manuscript, and better understand why you might be getting rejections. Think of it as an investment in your writing, not a prerequisite for submission.

Yes! I offer a trial edit so we can make sure we're a good stylistic fit before committing to a full project. Get in touch to learn more.

Yes! I'm also a fiction writer, and I think it makes me a better editor. I understand the vulnerability of handing your work over to someone else—and the courage it takes to hear honest feedback. I approach every manuscript with that in mind.

I don't work on manuscripts that contain explicit sexual content, hate speech, or discriminatory messaging. I'm proud to support marginalized voices and diverse stories—but I reserve the right to turn down projects that conflict with my values.

I recommend working with one developmental editor who truly gets your vision, and then hiring separate editors for copyediting and proofreading. Why? The more times you read something, the easier it is to miss errors. Fresh eyes catch more. That's how traditional publishing does it, too: one developmental editor, one copyeditor, one proofreader.

No—I only work on complete drafts. Developmental editing requires seeing the full picture: how your beginning sets up your ending, how subplots weave through, how character arcs land. I can't do that job well without the whole manuscript.

Yes—rush edits are available on a limited basis for an additional fee. If you're working with a tight timeline, reach out and we can discuss options.